Images and full post at Mollygood
Oh no! Julia Roberts couldn't do it; nor could Amanda Peet or Denzel Washington. And it looks like Katie Holmes‘ chance to do it was over before it even began. But we had so high hopes for Morgan Freeman! He was supposed to be The One, the major movie star that would take Broadway by storm with a performance hailed by both critics and ticket buyers alike. Alas, it was not to be:
… if Mr. Freeman [in The Country Girl] was still unsure of his lines, it was undetectable in the performance I saw, which exuded a low-key confidence and charm. (This is not, I hasten to point out, what the part requires at all times.) And if you compare this version's script with Odets's published text, the deletions and discrepancies don't change the sense of things, though the word substitutions are often bizarrely capricious. I would happily have put up with flubbed lines if real runaway feelings accompanied them.
…
In theater as in film Mr. Freeman is a quietly commanding presence. When Frank auditions for Bernie, the producer (Chip Zien) and the playwright (Remy Auberjonois) in the opening scene and begins improvising, you get a flash of the wild-card artistry that makes Bernie prize him. Otherwise he seems natural, affable, occasionally irritable, but not like a man wrestling with demons.
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Morgan Freeman via Flickr.com










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